“It’s very challenging to do sequels, especially for a comedy,” Lord says. THE MOVIE IS ABOUT KEEPING A RELATIONSHIP GOING. So it was really not something we would want to do again, two movies at the same time.”īut it did help that there were two directors on both projects: “If somebody was so sick and ill that they couldn’t work on it, the other one could pick up the slack,” Lord says. One company that was working on The LEGO Movie was based in Australia, which meant that someone was working on it 24/7, and, says Miller, “Often times we would get home from a shoot at 10:30 at night and start a conference call for another hour and a half before we went to bed. “We were shooting for 14 hour days then we’d go home and be on our computers giving notes on dailies from The LEGO Movie.” OK, here we go, oh no! Let’s rewrite the scene on the set.’ It had a looser feel in production.” It didn’t help that he and Miller were also working on The Lego Movie when they started on 22 Jump Street. Unlike the first Jump Street film, which the directors spent a year on before shooting, Lord says this film “came together really fast. DIRECTORS PHIL LORD AND CHRIS MILLER SHOT THIS WHILE THEY WERE WORKING ON THE LEGO MOVIE. From Dartmouth style beer pong to on-set head butts, here are 10 things the directors and cast told us about making 22 Jump Street, out today.
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